SUNNY CAME HOME MEANING OF LYRICS CRACKED

“I knew I was never going to be ready - maybe in 10 years - but I just knew it wasn’t going to be comfortable and wanted to tap into whatever was coming out.” “The label never said anything,” Colvin explains. There was no clarion call for Colvin that it was time for her and producer/co-writer John Leventhal to go back into the studio as the months passed - she just knew it was time. She made “Holiday Songs & Lullabies” (an album inspired by Maurice Sendak’s “Lullabies & Night Songs”) following the birth of her daughter in 1998, but when it came time to write an album drawing upon herself for inspiration, she hit a wall. Making “Whole New You” was a whole other experience, according to Colvin.

SUNNY CAME HOME MEANING OF LYRICS CRACKED

I thought I’d cracked a code of some sort in making a record.” The lyrics, the music, the recording - they happened easily. “It was also because was a particularly charmed experience,” Colvin says. It wasn’t just the ghost of Grammys past that was haunting Colvin - “Sunny Came Home” from 1996’s “A Few Small Repairs” captured both record of the year and song of the year honors at the 1998 Grammy Awards - it was something much less tangible. “I kept thinking we would turn a corner, but it was worse than giving birth.” “Whole New You,” due March 27 from Columbia, was “difficult from start to finish,” says Colvin with a rueful laugh. “Hey, Girl,” an uplifting tune Starr dedicated to her grandmother, a two-time cancer survivor, continued her winning streak, and pumped the crowd up for Colvin’s set.Although it’s hardly the tactic one might suggest, Shawn Colvin says approaching her new album with “complete terror” ultimately worked for her. The audience was invited to snap along, with one member of the crowd snapping on the counterpoint beat. “The Heart Collector,” a dirgey blues-rock hybrid which, according to Starr, was written for a songwriter’s club she was briefly involved in, was perhaps best.

While like Colvin, Starr performed solo with acoustic guitar, songs such as “40 Days” and “Beautiful in Los Angeles” showed off a definite rock ’n’ roll streak and a hard-edged attitude. Mississippi native Garrison Starr provided a lively opening set with an eclectic mix of styles. Stripped down to its core, the song achieved a menacing quality only suggested at on the studio recording, shedding new light on a true modern folk classic. Of course, Colvin saved her monster hit “Sunny Came Home” for next to last. A great performance of “That Don’t Worry Me Now” followed immediately. Other high points included the mid-set performance “Tennessee,” with its chugging, insistent guitar line and restless lyrics about leaving home. She did flub a line and a chord change on the otherwise satisfying “Steady On” however, this was one of those instances where the mistake actually enhanced the intimacy of the performance. Far from it, as the song was an early standout in the set.

Before performing a flawless “These Four Walls,” Colvin announced that she would most likely mess it up. Although the playing was crisp and tight on such standouts as “I’m Gone” and the yearning “Wichita Skyline,” Colvin maintained a loose, easy-going presence. (The younger Dylan’s concurrent performance at the Hart Theatre was mentioned numerous times in jest by both Colvin and audience alike - encore cheers for The Wallflowers’ “One Headlight” were particularly amusing.)įrom here on out, Colvin was all business - well, sort of. She took her time warming up, though, her voice a bit rough on the set-opening Simon and Garfunkel’s “Get Your Plane Right on Time.” To top it off, she left her capo backstage, although it was delivered to her just in time for “Trouble.” If she seemed a bit flustered, she at least had an explanation for the crowd: “I just met Jakob Dylan before the show, and he is one nice specimen of an individual.” Song after song was filled with rich yet delicate strumming and finger picking, creating a wash of sounds that at times sounded like Colvin was hiding another player or two somewhere backstage. The South Dakota songwriter’s intricate guitar playing and ethereal voice could be nearly hypnotic at times.

Sunny came home meaning of lyrics